Contemporary

Watching, But not Writing

 

I must confess. I’ve seen some dance and performance that I haven’t written about. Some of it was just too dull. Some of it just didn’t inspire. And others I couldn’t find the time to write the fullness they demanded. So here is a list:

May 7th Rioult Dance NY, “Bach Dances”

May 6th ODC School, “Uncertain Weather”File_000 (28)

April 28th Risa Jaroslow & Dancers, “Touch Bass”

April 21st San Francisco Playhouse, “Noises Off”

April 6th Wooster Group, “The Town Hall Affair”

February 21st, San Francisco Ballet, “Frankenstein”

February 18th Mike Daisey, “The End of Journalism”

I’m looking forward to Kyle Abraham/Abraham.In.Motion, “Dearest Home” (May 18 –  20) and Hope Mohr 10th Anniversary Season, “Precarious” (June 1 – 3). And I’m looking forward to writing.

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April 25th, University of San Francisco Dance Ensemble Spring 2015 Concert

Choreographed by University of San Francisco Faculty (with Guest Artists Lauren Simpson and Jenny Stulberg)

I got to see Still Life for Two No. 2 again – such fun, repeat

Student shows back-to-back.  It was great to see these two shows so close together (I am a geek and dance nerd for sure).  I have learned to appreciate the spring dance concert at USF, and it’s gotten better over the years.  It is usually a short program with a wide variety of dance (ballet, hip hop, contemporary, African), and the dancers dance their hearts out it.  This year, Naby Bangoura, D Montalvo, Eli Nelson, and Jennifer Polyocan presented dances.  The dancers may not have same level of technical skill as the Berkeley students and it may show, but their commitment to the performance, to the stage is just as strong. For example, Kusan-Hsuan Lee danced the solo variation from Esmeralda with such delight that I couldn’t help but giggle.  She didn’t have the best technique (and her costume was terrible), but she took command of the stage and didn’t let go.  It was a joy to watch, truly.