May 18th, “Dearest Home,” Kyle Abraham/Abraham.In.Motion

Before the show began, Abraham offered us a choice: watch the show in silence or with music via earbuds. He warned us to stick with our choice as switching between them can be disruptive to watching. He also mentioned that the dancers rehearsed in silence, which is how they perform the piece. I found this direction distracting (almost annoying) and I ignored it. I started with the music and then at random times throughout the 70-minute piece, I turned the volume off and watched in silence – I could hear the dancers breathing and the sound of their bodies moving.

I did not read the program notes. I don’t think it would have made a difference for me. My expectations were high. I rather enjoyed Pavement  (2015) for its movement quality, and more importantly, for how it didn’t let us off that easy.  I thought I might experience more of the same. The dancing and dancers were exceptional and certain choreographic moments stood out. Yet, Dearest Home seemed to be missing something for me so I did a little research, looking for insight.

The text that accompanies the promotion video (about 1 minute in length) on Vimeo states that:

“DEAREST HOME is an interactive dance work developed in a multi-year process, focused on Loving and Longing, Love and Loss. Comprised primarily of solos and duets generated in conversation and collaboration with a variety of age groups and self-identified subcultures, HOME interweaves movement, in its most vulnerable or intimate state, with cross-cultural conversation and community action.”

I could feel the sentimentally of loving and longing, love and loss. At times the mood was melancholic, even dramatic. Yet, I did not feel the embrace of conversation or community. The stage was set for it; an intimate in-the-round space where you could see others watching at times.  

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Dearest Home is deeply personal. Yet, I also think of home as a concept and social construct that is also deeply political, particularly in San Francisco. Perhaps I was expecting or even needing, the dance to think more critically about home. I did not stay for the talkback after the show. Instead, I stayed out late (for me) with friends to discuss our mutual dissatisfaction. I was thankful for the conversation, for the chance to share reactions and tell stories. And, I was thankful to for a home to go home to.

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